Pixel Film Studios Plugin Transitions And Effects Collection For Final Cut Pro X

Pixel Film Studios Plugin Transitions And Effects Collection For Final Cut Pro X

Pixel Film Studios Plugin Transitions And Effects Collection For Final Cut Pro X >>> https://bytlly.com/2t1xsK

Shadow Fade Transitions with TranShadow for FCPX\nTranShadow from Pixel Film Studios gives FCPX users a whole entire new way of fading from one clip to another. TranShadow allows users to cross-fade with a color solid, while adding prism and blur effects. FCPX users can apply TranShadow presets allow quick and easy application between clips, saving valuable time for any editor. Each transition has added parallax options for more kinetic angles between shots.\nOver 50 Transitions\nTranShadow for Final Cut Pro X comes with over 50 different drag & drop transition presets. Each preset contains a unique shadow fade that masks the first clip and reveals the second clip. TranShadow is an easy to use transition, designed with any skill level editor in mind.\nIncludes Channel Blur and Prism Effects\nTranShadow contains Prism and Blur controls for exaggerated speed. TranShadow presets have the effect of being slow and elegant, or fast and chaotic depending on the users style. TranShadow's flexible distortion and blur options add realism and style to any project.\nDrag & Drop Transitions\nTranShadow for Final Cut Pro X is built as a set of Transition tools. FCPX users can apply each preset between the desired clips and adjust the duration accordingly. TranShadow is a simple tool that can be used in Video Projects, or Slide Shows with still Photos.\nDesigned for Final Cut Pro X\nTranShadow was designed to work seamlessly inside Final Cut Pro X, saving the user valuable time. TranShadow users simply select the desired preset in the transitions window and modify the fade and blur effects. 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In recent years, the availability of lightweight microbolometer thermal cameras compatible with small unmanned aerial systems (sUAS) has allowed their use in diverse scientific and management activities that require sub-meter pixel resolution. Nevertheless, as with sensors already used in temperature remote sensing (e.g., Landsat satellites), a radiance atmospheric correction is necessary to estimate land surface temperature. This is because atmospheric conditions at any sUAS flight elevation will have an adverse impact on the image accuracy, derived calculations, and study replicability using the microbolometer technology. This study presents a vicarious calibration methodology (sUAS-specific, time-specific, flight-specific, and sensor-specific) for sUAS temperature imagery traceable back to NIST-standards and current atmospheric correction methods. For this methodology, a three-year data collection campaign with a sUAS called "AggieAir", developed at Utah State University, was performed for vineyards near Lodi, California, for flights conducted at different times (early morning, Landsat overpass, and mid-afternoon") and seasonal conditions. From the results of this study, it was found that, despite the spectral response of microbolometer cameras (7.0 to 14.0 μm), it was possible to account for the effects of atmospheric and sUAS operational conditions, regardless of time and weather, to acquire accurate surface temperature data. In addition, it was found that the main atmospheric correction parameters (transmissivity and atmospheric radiance) significantly varied over the course of a day. These parameters fluctuated the most in early morning and partially stabilized in Landsat overpass and in mid-afternoon times. In terms of accuracy, estimated atmospheric correction parameters presented adequate statistics (confidence bounds under ±0.1 for transmissivity and ±1.2 W/m²/sr/um for atmospheric radiance, with a range of RMSE below 1.0 W/m²/sr/um) for all sUAS 2b1af7f3a8